Critical Analysis of A Doll House Essay Example | Topics and Well Written Essays - 500 words

Critical Analysis of A Doll House - Essay Example with feminist literature is limited, I believe that this play is an example of feminist thought since a woman (Nora) is able to confront and come to a settlement with the oppressor in her life. The liberties afforded to women today were non-existent in those times and I do not think that the ending of the play which shows Nora walking out on her husband and children would be acceptable to Victorian viewers. For her husband, Nora is nothing more than a person who keeps the house clean and beautiful as well as being a plaything for entertainment. However, by the end of the play we can see that the representations of characters are quite the contrary since Nora transforms herself completely. From a weak woman who lives by the whims and fancies of her husband, she gains enough strength to deny him completely and start her own life. She realizes how all men in her life have wanted to use her for one purpose or another and she is merely a doll living in a doll house. The forgery committed by her was to help her husband recover from his illness, yet all he could think of was the scandal which would be created if it was discovered. There is also the dual role of women presented in the beginning of the play which was particularly interesting i.e. a self sacrificing object and an object to be desired. Regardless of the social stature of the woman in question, she is expected to sacrifice herself for the man in her life whether it is a weak father or a sick husband. In terms of appearances, nothing in the house or the nature of the characters is shown to be true. Nora appears to be a weak and flighty woman while she is revealed to be thoughtful, caring and strong willed. Torvald is supposed to be the ‘man of the house’ and the one in charge of things however, all power is taken away from him by Nora and he shows his true colors as a coward by not supporting his wife. Krogstad appears to be a scheming, evil fellow at the beginning of the play but at the end he appears